I saw a killer portrait of Snoop done by the amazing
Jeremy Lipking, and got inspired. (Though Jeremy had a much
better likeness than me.) The point here was to get jiggy
with some textures, not test my lacking portrait skills.
I guess the technique to sort of highlight is that much of the painting you see was done with one click of textured brushes.
I guess the technique to sort of highlight is that much of the painting you see was done with one click of textured brushes.
I mean textures like someone spattered ink on a piece of paper
and scanned the spatters as a brush.
I believe some creative person named Env1ro made these brushes. (THANKS!)
Now you could stroke with this sort of brush, and get some cool streakiness. (And I did that a bit.) But you can also do single clicks of a large version of these brushes, like big enough to cover an entire cheek with one click.
Then you can erase (or history brush) back into these
Then you can erase (or history brush) back into these
single-click-shapes to get rid of the texture in areas. And dodge or burn it so there is travel.
This is as close as I can get to controlled chaos.
I did a bunch more stuff like my lasso too shapes, drawing, painting. In the end there is no one way to skin the cat, and using a variety of techniques rather than one, is a good way to make the image feel alive.
This is as close as I can get to controlled chaos.
I did a bunch more stuff like my lasso too shapes, drawing, painting. In the end there is no one way to skin the cat, and using a variety of techniques rather than one, is a good way to make the image feel alive.
Where did you get the brushes though? Is this Photoshop or Painter? awesome work! I saw the article your wife posted today about your book covers. Very nice work!
ReplyDelete-Julia Lundman